"Thy plaintive anthem fades"
Iven Webster. Coming to you live from Purgatory.
Call It What You May

Gosh Crimea’s been annexed and Scotland is voting on its independence tomorrow does this mean I have to throw out globe???

posted 2 days ago @ 17 Sep 2014 with 1 note



reblogged 4 days ago @ 15 Sep 2014 with 40 notes via/source
People too often conceive of worldbuilding strictly as background research, as a sort of dry and exhaustive homework. Every tiny and immediate detail in a story can be worldbuilding. Every button and widget can imply or reveal something to the reader. You can replace pages of deadly boring infodump with a few comments in conversation, a few glances at what people wear or eat or venerate. You shouldn’t think of worldbuilding as something boxed off from the rest of the text. it can be intrinsic with dialogue, description, etc. It’s crucial (and liberating) to realize that every word you put on a page can and should perform multiple duties simultaneously. Description can be worldbuilding. Dialogue can be character development. Messages within messages, revelation within revelation. Also, remember that nobody can follow all these guidelines all the time without exception or flaw. The point is just to keep aiming higher. It’s art as well as craft. Some parts of it you can measure almost scientifically. Some parts are mad whack inscrutable alchemy. But chances are, if you work hard to lay a solid foundation of craft, you’ll strengthen everything that’s more numinous and subjective, too. There is no “one true way” to write anything, nor one true goal in writing/publishing. Treasure beautiful oddballs and weird experiments.
Scott Lynch, author of the Gentlemen Bastards series, on world-building and the craft of writing and publishing, as collated from a series of tweets I woke up to this morning, (via theletterdee)    
reblogged 4 days ago @ 15 Sep 2014 with 4,415 notes via/source


a lot of people have been made to feel ashamed for thinking sex is gross, or being indifferent to sex, or not being interested in romance. a lot of people have also been made to feel ashamed for having sexual and/or romantic desires at all. these things overlap.

so please, we need to tread lightly when we talk about each other.

it’s a common coping mechanism to make fun of what we perceive as the ‘normal’, but in the realm of sexuality, there are a lot of not-normals, and often there will not be a clear ‘normalcy’ differential between two of us chosen at random.

think before you make jokes, let alone serious statements, and make sure you’re not accidentally echoing an age-old prejudice that has beaten down someone else, just because it isn’t the specific age-old prejudice that beat down you.

reblogged 4 days ago @ 15 Sep 2014 with 306 notes via/source


Welcome to my twisted mind. Behold this picture of a white woman smoking. Lay witness to some pastel flowers. So fucking twisted.

reblogged 5 days ago @ 14 Sep 2014 with 40,444 notes via/source
reblogged 5 days ago @ 14 Sep 2014 with 36,491 notes via/source



VIDEO:Introducing French Afro-Cuban Twin Sisters Ibeyi & Their Yoruba Doom Soul

Ibeyi, made up of Cuban-born, Paris-based twin sisters Naomi and Lisa-Kaindé Díaz, is an electronic doom soul duo who are forging a new spiritual sound with their debut EP Oya. The 19-year-old musicians are XL Recordings‘ newest signees, and their introductory singles “Oya” and “River” possess a hypnotic blend of hip-hop, electronica, and blues infused with Yoruba prayers and folk songs that will transport you to a higher realm upon first listen.

Singing in French, English, Spanish and Yoruba, Ibeyi count among their primary influences Nina Simone, Meshell Ndegeocello, James Blake and their late father, the celebrated Cuban jazz percussionist Miguel “Anga” Diaz. Ibeyi’s vocal range, which wavers from the raspy and wraith-like to the sonorous and divine, is ideal for their sonic palette which revels in the phantasmagorical groove of liturgical Yoruba songs. Besides singing in Yoruba–which was brought to Cuba by West African slaves–Ibeyi honor their father’s legacy and Afro-Cuban heritage through their percussive production and use of live instruments. Beatsmith Naomi plays both the cajón and the batá while Lisa-Kaindé remains more in tune with the musical mythos of Ibeyi’s sound by weaving Yoruba lore deeply into their lyrics. “River” is dedicated to the goddess Oshun (the mother of the Ibeyi, and their first single and EP are both named for  Oya (the benevolent orisha who took the Ibeyi in after Oshun was accused of witchcraft for birthing twins and kicked them out).

Read More

I love this so much

reblogged 5 days ago @ 14 Sep 2014 with 7,268 notes via/source

My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?

reblogged 5 days ago @ 14 Sep 2014 with 701 notes via/source